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YOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK

Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...

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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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Reimagining Ambedkar

Ambedkar appears in many different ways in the ordinary life of Dalits, writes Badri Narayan&nbs...

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The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Rajeshwari: Queen of her roles

Aparajita Krishna zooms in on Rajeshwari Sachdev of a delicate, petite frame, who has a very commanding acting presence and rules the little ki...

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Damien Chazelle’s ‘First Man’ premieres at the Venice Film Festival

Damien Chazelle’s American biographical drama First Man had its world premiere at the Venice Film Festival on August 29, 2018. C...

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The More Things Change…

Ajit Dalvi’s Marathi play Samajswasthya, directed by Atul Pethe, is a startling reminder that in spite of all the progress India has witnessed ov...

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True Review Television - Finally, A Robot Bahu

Is it a coincidence or are channels and content providers really taking a hard look at stories about women and their emancipation. Star Plus’ Tamanna deals with a wom...

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Of Gender Divide

Since the creation of Eve from Adam’s rib, the human rib on gender issues has not stopped tickling. Left no wiser since Biblical times, the issue remains burning and ...

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WILL TRADITION EVER TRANSITION

“Even a stopped Watch showscorrect timetwice a day” bespoke an optimist.

It is a matter of contemplation whether the same holds true for the march of ti...

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